The White Deer

In the summer of 1879, on his way to Moscow to study medicine, nineteen-year-old Anton Chekhov stops to spend a restful few weeks in the Ukrainian countryside, where he meets Vera Denisova, a budding actress and the daughter of an aristocratic family.

Surreptitiously through Anton, Vera learns the truth about her family’s declining financial situation, her beloved childhood estate soon to fall to deforestation. Vera and Anton wander the back acreage, hoping for a glimpse of a white deer that has been spotted on the property, a symbol of future happiness. In the long, extended light of summer days, they struggle to come to terms with their feelings for each other and the new profoundly changed world that is waiting for each of them at summer’s end.

In a final letter to Vera before his death at 44, Anton reveals that his play, The Cherry Orchard, was inspired by his time with her at Volkhov, reframing one of the most important plays of the modern canon as an act of memory and loss.

Advance Praise for The White Deer

Regina McBride’s new book evokes a loving nostalgia for a place we’ve never known—Chekhov’s Russia. Set in the summer of young Anton’s twentieth year, the novel centers on a young woman whose family is losing financial control of their estate—an estate famous for its orchards. Anton is the guest of a neighboring doctor, and the two young people become entwined in a romantic friendship—une amitiée amoureuse. McBride’s story comes at Chekhov’s from the side, presenting us not only with the family’s eccentric and complicated history, but the vision of the author himself, as a character in the work. A beautiful and eloquent rendering of a place and time we somehow feel is ours.

—Roxana Robinson, author of Leaving, NYT Editors’ Choice

McBride has always been a gifted and lyrical storyteller, but never more so than in this gorgeously written novel of 19th century Ukraine and Russia, in which she brings a young Anton Chekhov to life. The story will remain with you long after you’ve turned the final page. Superb.

—Gabriel Byrne, author of Walking with Ghosts

This gentle but profound novel takes you on a quietly magical journey through nineteenth century Ukraine, mixing the Chekhovian sensibility with contemporary spirit to create the effect of delightful immersion.

—Lara Vapnyar, author of Divide Me by Zero

This restrained and beautiful book utterly transported me to summer in Russia in the late 19th century: to a lovely old estate with a neglected peach orchard. McBride beautifully suggests how shards of the daily material of life can be picked up by an extraordinary writer and transformed into art. I never wanted to leave the enchanted, doomed world she conjured.

—Rachel Pastan, author of We’re So Lucky to Live Here

This transportive novel sweeps the reader up into a vivid, melancholic dream set on a nineteenth century Russian estate. Regina McBride creates her own Chekhovian tragi-comedy that delights as it captures a lost world frozen in time. The White Deer is a gripping must-read for anyone who loves literature and a love story gone awry.

—Virginia Pye, author of Marriage and Other Monuments

Praise for Stranger from Across the Sea

“As soon as Violet O’Halloran arrived at St. Dymphna’s school and met the blind girl, Indira Sharma, I was captivated by this gorgeous and evocative novel. Regina McBride is a master of suspense and Stranger from Across the Sea is a deeply satisfying story.”

—Margot Livesey, New York Times bestselling author of The Road from Belhaven

“Regina McBride’s Stranger from Across the Sea is an intimate, multilayered narrative of lives disconnected and entwined, loves lost and remembered, secrets buried and resurrected, hopes shattered and redeemed. In richly nuanced prose, McBride weaves together the tragedy of history and the timeless yearnings of the human heart. Her artistry as a master storyteller has never been on better display. This is a book to read and reread. Its impact will stay with you long after the last page.”

— Peter Quinn, author of Cross Bronx: A Writing Life and Banished Children of Eve

“Stranger from Across the Sea is a tour de force. Captivating and enchanting, the book is a fierce and sensual story of mothers, daughters, friends, and lovers, set amidst generations of Irish struggles. Though the book is set on the rugged coastline of a small seaside village in Ireland, its stories come from as far as New York and India. Stranger from across the Sea is a magical book. Brava, Regina McBride.”

—Patty Dann, author of The Wright Sister and Mermaids

“I loved reading Regina McBride’s beautiful new novel, Stranger from Across the Sea. It’s a passionately written, highly lyrical story of the friendship between two girls, both dreamers, left by their too-busy mothers one summer in a remote convent on the lonely coast of Ireland. Although the story moves on in time, that friendship forms the basis for the remainder of the novel—a tapestry of love and sorrows, mysteries and secrets, memories and ghosts, betrayal and forgiveness, otherness and belonging—in the ‘salt and sorrow’ of Ireland. Read it, you’ll love it too.”

—Clarence Major, author of The Glint of Light and Golden Gate and other stories

“I was completely captivated by Stranger from Across The Sea. Violet is a sensitive guide through the many layers of this story, which is so well written I wasn’t in a hurry to uncover the secrets the house holds. Yet the layers of mystery were also compelling and fresh. This is the kind of book you begin again as soon as you finish.”

—Alice Elliott Dark, author of Fellowship Point and In the Gloaming

“A beautifully written book, filled with original details of place and time and drama that ring true, portraying all the mystery and complex emotion that come with being both familiar and a stranger. It will catch you up from the first page and hold you to the last.”

—Sheila Kohler, author of Open Secrets and Cracks

“With the opening of McBride’s transporting novel, we know we are in the hands of a poet and master storyteller. McBride beautifully captures the profound neediness hidden under the tempest of mothers and daughters, the delicate sensuality and haunting power of girls’ friendships, the vulnerability of adolescence, and the wish we all have to be found.”

—Lisa Gornick, author of Ana Turns

Reviews

Kirkus

STRANGER FROM ACROSS THE SEA

by Regina McBride ‧ RELEASE DATE: June 11, 2024

A nuanced exploration of trauma, personal and historical.

An American woman revisits the scene of a traumatic experience she suffered as a teenager in McBride’s novel.

In 1973, a 16-year-old Violet O’Halloran travels from her home in New York City to Northern Ireland with her mother, but the trip is clouded by her grandmother’s unexpected death. Violet’s mother unloads the rebellious teen at St. Dymphna’s, a Catholic boarding school, for the duration. Her sole companion is the only other resident, Indira Sharma, a blind girl who speaks in enigmatic riddles. The pair becomes fast friends, inseparable as sisters, bonding over their contentious relationships with their mothers and the absences of their dead fathers; their tender connection is delicately drawn by the author in this emotionally haunting work. Indira dies in a drowning accident—Violet nearly dies herself trying to rescue her. It’s a traumatic event she has trouble clearly recollecting, and from which she cannot fully be free.

In New York City, 13 years later, Violet meets Emmett Fitzroy, a handsome photographer from Ireland (in fact, he grew up near St. Dymphna’s). He invites her to become the temporary caretaker of his family’s home there, a position she accepts, plunging back into memories of her summer there and the “catastrophic land” she cannot help but miss. In this subtle and complex tale, the author explores the possibility that both the proximate and remote past can be mined for lucidity and the idea that the dead can help the living discover an otherwise elusive resolution to emotional conflicts, albeit with great difficulty. (“The Irish say it is only a thin curtain that separates the living from the dead, but they are poets and those are beautiful words. It is a harder partition than that, and more mysterious. There are times when it feels impenetrable.”)

McBride’s prose is ruminatively poetic and broodingly searching, and powerfully captures Violet’s distress against the symbolically pregnant backdrop of Northern Ireland’s political tumult. This is a deeply thoughtful work, elegiacally written and impressively sensitive.

A nuanced exploration of trauma, personal and historical.

Publishers Weekly Booklife

Takeaway: Powerhouse novel of Ireland, an intense girls’ friendship, and facing the past.

Set amidst “the moody depths of Irish coastal light, the volatility of the wild North Atlantic tides,” this gorgeous, resonant novel of self-discovery and mystery in adolescence and womanhood centers on an unexpected connection and its impact over decades. In 1973, American teen Violet is brought by her mother to war-torn Northern Ireland, and soon, after the death of Violet’s Irish grandmother, the young woman finds herself stuck for the summer in St. Dymphna’s, a convent school empty save for one other young woman: blind Indira, from India, betrothed to a cousin and, like Violet, desperate for connection. The two form a fast bond, sharing their days, their cultures, their loneliness, and—in a series of lyric scenes of exquisite tenderness—their reflection, as Violet describes themselves in a mirror, and Indira explains what she remembers mirrors as being like.

“You are my reflection and I am yours,” Indira tells her, but what takes root in summer doesn’t always flourish in the school year. As other students return, the pair begins to lose each other, until tragedy strikes. Over a decade later, chance again brings Violet, now a New York waitress and sometime college student, to that same stretch of Ireland as a caretaker for upper-class Emmett, a man distinguished by Aran sweaters, complicated feelings for his family, and a connection to the friend who still haunts Violet—and who has become a figure of local legend.

With wisdom and electric scenecraft, McBride (The Land of Women) deftly contrasts the urgent feelings of youth with the pained uncertainties of an adult facing the past and the losses that come with adulthood. The prose is rich but swift, tuned to the heart and the telling detail, exploring coasts, convents, secrets, and the mysteries of the heart with piercing power, all as Violet faces both the past and the “thin curtain between the world of the living and the world of the dead.” Dazzled readers will likely seek out McBride’s earlier books.

—Editor’s Pick, Publishers Weekly Booklife